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THE CONGO SQUARE PROJECT FOUNDATION
CD A: " Sacred Ground " + CD B: “ Saints at Congo Square "
Soon to be followed by DRUMMERS UNITED ( with a little help from our
friends ) Volumes 1 & 2
The televised images of Hurricane Katrina’s catastrophic impact will
be remembered by the entire world for years to come. The storm, one
of the deadliest natural disasters in US history, deeply affected a
New Orleans’ musical community that had already suffered from
decades, if not centuries, of neglect on the part of politicians and
top government officials.
At that time, LA session drummer Fabian Jolivet had already began
recording two albums of instrumental music entitled “The
Electroroots Project” for Standard Music Library ( UK ). This
project included a tribute to The Crescent City, a drum suite, to be
called CONGO SQUARE, also featuring friends & fellow trapsmiths Clem
Burke (Blondie ), Don Heffington ( Lucinda Williams ) and Stephen
Hodges ( Tom Waits ).
Before the project was completed, Katrina had hit The Gulf Coast
with devastating force. The terrible flood and lack of response from
the local and federal authorities deeply touched the life of many
people. Including those living on the other side of the country,
witnessing the tragedy unfold from a seemingly comfortable distance.
“ DEEDS NOT WORDS, that’s the title of that great Max Roach record,
isn’t it? ” Fabian asks. “ See, I truly believe in the message this
sorcerer of the skins sent out to all of us, that NOW is the time
for everybody to act. To finally help re-build this amazing
community that influenced the entire world. After all, we are
talking about thee cradle of modern music.“
We all know that without Louis Armstrong, Jelly Roll Morton, Buddy
Bolden, King Oliver, Sidney Bechet, The Preservation Hall Jazz Band,
Alvin Batiste, Fats Domino, Dave Bartholomew, Smiley Lewis, James
Booker, Professor Longhair, Earl King, Dr. John, Irma Thomas, Ernie
K Doe, The Meters, The Neville Bros, the many amazing Mardi Gras
Indians and street players, the music world will not be the same.
Percussion legends such as Baby Dodds, Big Sid Catlett, Zutty
Singleton, Paul Barbarin, Joseph Cie Frazier, Vernell Fournier, Dave
& Frank Oxley, Smokey Johnson, June Gardner, James Black, Uncle
Lionel Batiste, Charles Honeyboy Otis, Earl Palmer, John Boudreaux,
Bob French, Freddy Staelhe, Uganda Roberts, Bunchy Johnson, Lady
Tambourine, Zigaboo Modeliste, Johnny Vidacovich, Herlin Riley, all
paved the way for the rhythms that we all groove to in today’s
world.
“ Do you really think that Little Richard, Sam Cooke, Ray Charles,
Charlie Parker, James Brown, The Beatles & Rolling Stones, even Led
Zeppelin would have sounded the way they did without the Louisiana
influence? I don’t think so. It’s a fact that the world is a better
place thanks to New Orleans. Now, I ask: Is New Orleans better off
thanks to the rest of the world?“
In the current violent planet that we live in, I believe that we ALL
need to help one another, plant a little tree here & there. Even
little people like me can make the BIG difference today and
tomorrow. A smile here, a donation there, even opening a door to a
stranger or letting in a driver in front of you when you traveling
to your job, it all adds up.”
THE CONGO SQUARE PROJECT is a massive double album that traces the
evolution of the African music that was later brewed in the heart of
the city during the 1700’s. Recorded with a modern day Alan Lomax
production approach. It moves your body & soul, at the same time
that it feeds your mind. It has all the necessary New Orleans
musical gumbo ingredients that made The Crescent City famous.
Including those ( often overlooked ) important contributions made by
Native American tribes, and the European, Caribbean & Mexican
influences that soon followed.
The First CD: SACRED GROUND, opens with an Orisha blessing
ceremonial introduction, conducted by African Yoruba Priest-Master
drummer Ayo Adeyemi ( Babe Olatunji ), plus a sensational piece
performed by Brazilian great Airto Moreira ( Miles Davis ). Followed
by an array of musical pieces and grooves that include the dance of
the Bamboula, Street Musicians, Secondliners, Dixieland, Bucket
Players, Congo Square Drummers, etc…
This side closes 300 years later, with The Revend Lois Dejean’s
Gospel Choir emotional rendition of “ He knows how much we can bear
“. Showing us that the city’s African descendants, regardless of the
many hardships, have always remained together throughout their
difficult history, thanks to their loyalty to this strong spiritual
music brought from their ancestral land.
Today’s NOLA realities: “ Drummer Dinerral Shavers was shot & killed
just after Christmas while driving with his wife & child. So, his
group, “The Hot 8 Brass Band” has played yet another Jazz Funeral in
New Orleans. The third time in the band’s history that they have
played a funeral for one of their own band members.”
Yes, social neglect is a direct cause for violence in one of the
cities that was most responsible for the immense financial and
musical wealth of this country. The lack of response and proper care
and the careless and criminal mishandling by the country’s
authorities during this recent tragedy is only the latest slap on
the face on a long string of bad experiences endured by the people
of New Orleans.
The Second CD: " Saints at Congo Square " reflects the projection
and impact that this music has made. It starts with the magnificent
" Shubaum ( the Soul of India ) " recorded in Calcutta by tabla
virtuoso Tanmoy Bose ( Ravi Shankar ) & bengali singer Idranil Sen.
This opera like concept album also takes the listener through a
music journey that includes the superb AfroCuBop piece that gives
the album it's title, performed by latin jazz leader Francisco Mora
Catlett, featuring Sun Ra's protege Marshall Allen on sax. A fitting
tribute to Congo Square & Lois Armstrong, dedicated to the great Max
Roach.
Followed by a string of sharp Beat poetry pieces performed by,
amongst others, John Densmore ( The Doors ); Chuck E .Weiss ( Tom
Waits ) and Gord Downie ( The Tragically Hip ). All linked to a
series of eccentric and exciting timpani, marimbas, tap dancing,
vibes, hand and drum set solos performed by thee best in the world.
Completed with a magical list of numbers that include a historic NYC
session led by the ever so soulful Levon Helm ( The Band ) and
friends: Steve Jordan ( Keith Richards ; Hubert Sumlin ( Howlin'
Wolf ); Danny 'Kootch' Kortchmar ( Carole King ); Larry Campbell (
Bob Dylan ) and Teresa Williams ( Levon Helm Band ).
It was recorded in LA, New Orleans, Boston, NYC, Woodstock, London,
Bath, Barcelona, Paris, Berlin, Calcutta, Montevideo and Buenos
Aires.
Featuring compositions by Pow Wow, North Lakota, Seminole Maroon &
Mardi Gras Indians. Performances by classical composers from The LA
Philharmonic & The Scala de Milan.
Already includes Ayo Adeyemi, Louie Bellson & Chester Whitmore,
Airto Moreira, The Preservation Hall Jazz Band, Earl Palmer, Herlin
Riley, Jimmy Cobb, Earl Palmer, Ira Coleman, Warren Bernhardt, Joe
Morello, Clayton Cameron, Peter Erskine, Ndugu Chancler, Levon Helm,
Steve Jordan, Hubert Sumlin, Danny ‘Kootch’ Kortchmar, Larry
Campbell, Teresa Williams, Sam Carr, Joel Polluck, Souhail Kaspar,
Richie Hayward, Santa Davis, Keith Carlock, Richie Morales, John
Boudreaux, Issam Houshan, Washboard Chaz, Pernell Saturnino,
Francisco Mora Catlett, Marshall Allen, Terri Lynne Carrington,
Uncle Lionel Batiste, Benny Jones Snr., John Richardson, Jerry
Jumonville, Joseph Uganda Roberts, Willie Cole, Frank Oxley Jnr.,
James Gadson, John Boudreaux, Smokey Johnson, Luther Gray & Bamboula
2000, The New Birth Brass Band, Michael Tempo, Professor Joseph
Mitchell, Ruben & Cougar Estrada, Simon Kirke, Andy Newmark, Clive
Bunker, Chuck E Weiss & Don Heffington, John Densmore, Hani Nasser (
Etheridge Knight ), Gord Downie, Johnny Vidacovich, Stanton Moore,
Freddy Staelhe, DJ Bonebrake, Willy Munoz, Hugo ‘Foca’ Machado,
Silvio Massimo, Queen Cherise Harrison-Nelson & Big Chief MarKeith
Tero, Johnatan Mover, Michael Tempo, Pete Lockett, Tanmoy Bose, Jim
Keltner, Phil Bloch, Evelyn Glennie, Bill Bruford, Doane Perry,
Michael Shrieve, Stephen Hodges, Barry Altschul., Dr. Lonnie Smith,
Javon Jackson, Greg Skaff...
Soon to be followed by contributions by Dr. John, Ray Cooper,
Charlie Watts, Jab’o Starks, Cassandra Wilson, Clyde Stubbefield,
Michael Giles, Mitch Mitchell, etc…
We are planning on leaving four albums behind that will fully
benefit these great charities: The New Orleans Musicians Clinic; The
Mardi Gras Indians Hall of Fame; The Reverend Lois Dejean’s Youth
Assistance Foundation; Sweet Home New Orleans; The Congo Square
Drummers & The Preservation Hall Foundation, etc…
Neither me personally, nor any of the musicians included will ever
receive any future financial benefit from this multiple charity
project. The income generated from anything related to THE CONGO
SQUARE PROJECT FOUNDATION will solely benefit the charities involved
in re-constructing the city of New Orleans. We have ALL united for
them in this good cause. It’s a humble tribute to the musicians that
we love so much. I sincerely hope that the many donations,
volunteers, powerful documentaries, and all the big and small
musical contributions currently taking place will help some of those
in need.
They need to know that they are NOT alone, that we truly care for
them. As Nathan Chasing Horse ( Medicine Man, North Lakota Nation )
said: " LISTEN WITH YOUR HEART "
Fabian Jolivet
(drummer-producer )

CONGO SQUARE (NYC sessions) "The East
Coast Gang" (Levon Helm, Hubert Sumlin, Steve Jordan, Danny 'Kootch'
Kortchmar, Larry Campbell, Teresa Williams, Niko Bolas, Artie
Smith)...
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